Ashley Addington

Saturday, March 21st, 2026, 3 PM
Sweeney Concert Hall at Smith College

https://www.afarcry.org/all-concerts/appalachian-spring-northampton

Musical Program

Shelley Washington | SAY 
Aaron Copland | Appalachian Spring – Suite for 13 Instruments
Ludwig van Beethoven | Symphony No. 6 in F major, Op. 68, (Pastorale)

This program features Copland’s iconic Appalachian Spring in its original 13-instrument version—a work that captures the spirit of American optimism and landscape. Also included are Shelley Washington’s SAY, a bold and contemporary expression of voice and identity, and a chamber arrangement of Beethoven’s Symphony No. 6 “Pastoral”, a timeless ode to nature.

Friday, March 20th, 2026, 7:30 PM
University of Vermont Recital Hall

https://www.afarcry.org/all-concerts/appalachian-spring-vt

Musical Program

Shelley Washington | SAY 
Aaron Copland | Appalachian Spring – Suite for 13 Instruments
Ludwig van Beethoven | Symphony No. 6 in F major, Op. 68, (Pastorale)

Curated by Crier Jae Cosmos Lee
A Far Cry hits the road this spring with a program that depicts the American landscape and identity through sound. At its heart is Copland’s Appalachian Spring whose vision of hope and renewal feels newly urgent. Shelley Washington’s SAY challenges and expands that vision, voicing the complexities of identity and belonging. Beethoven’s Pastorale Symphony No. 6 closes the program with jubilance, connection, and reverence for the natural world.

Wednesday, March 18th, 2026, 7:30 PM
First Church Cambridge

https://www.afarcry.org/all-concerts/appalachian-spring-cambridge

Musical Program

Shelley Washington | SAY 
Aaron Copland | Appalachian Spring – Suite for 13 Instruments
Ludwig van Beethoven | Symphony No. 6 in F major, Op. 68, (Pastorale)

Curated by Crier Jae Cosmos Lee
A Far Cry hits the road this spring with a program that depicts the American landscape and identity through sound. At its heart is Copland’s Appalachian Spring whose vision of hope and renewal feels newly urgent. Shelley Washington’s SAY challenges and expands that vision, voicing the complexities of identity and belonging. Beethoven’s Pastorale Symphony No. 6 closes the program with jubilance, connection, and reverence for the natural world.

Sunday, March 15th, 2026, 3 PM
Collins Center for the Arts

https://www.afarcry.org/all-concerts/appalachian-spring-orono

Musical Program

Shelley Washington | SAY 
Aaron Copland | Appalachian Spring – Suite for 13 Instruments
Ludwig van Beethoven | Symphony No. 6 in F major, Op. 68, (Pastorale)

This program features Copland’s iconic Appalachian Spring in its original 13-instrument version—a work that captures the spirit of American optimism and landscape. Also included are Shelley Washington’s SAY, a bold and contemporary expression of voice and identity, and a chamber arrangement of Beethoven’s Symphony No. 6 “Pastoral”, a timeless ode to nature.

Saturday, March 14th, 2026, 3 PM
St. John’s Church, JP

https://www.afarcry.org/all-concerts/appalachian-spring

Musical Program

Shelley Washington | SAY 
Aaron Copland | Appalachian Spring – Suite for 13 Instruments
Ludwig van Beethoven | Symphony No. 6 in F major, Op. 68, (Pastorale)

This program features Copland’s iconic Appalachian Spring in its original 13-instrument version—a work that captures the spirit of American optimism and landscape. Also included are Shelley Washington’s SAY, a bold and contemporary expression of voice and identity, and a chamber arrangement of Beethoven’s Symphony No. 6 “Pastoral”, a timeless ode to nature.

Curated by Crier Jae Cosmos Lee

Friday, February 27th, 7:30 PM
Boston Conservatory, Studio 401

A faculty woodwind quartet with piano performs music by Simon Sargon, Amanda Harberg, Yuko Uebayashi, Mikhail Glinka, and Giuseppe Verdi.

https://bostonconservatory.berklee.edu/chamber-music/events/woodwind-faculty-recital

Saturday, February 21st, 2026
Jordan Hall – NEC

This winter brings a trio of monodramas to fire the spirit. February 21, 2026, BMOP presents Mono, Mono, Mono. William Bolcom’s opera, Medusa, conveys her experience as the only mortal Gorgon. Ron Perera’s The White Whale is a gripping character study of Captain Ahab from Herman Melville’s novel, Moby-Dick. Carlisle Floyd’s rarely performed Flower and Hawk gives an intimate look at the wealthy and powerful Eleanor of Aquitaine.

https://bmop.org/performances/mono-e-mono-e-mono/

Saturday, February 14th, 2026, 8 PM
BU Concert Hall
https://www.soundiconensemble.org/events

Turning Point – Music of Christoper Theofanidis, Han Lash, and Jeremy Gill
Sunday, May 4th, 2025 3 PM
Jordan Hall, NEC
https://bmop.org/performances/bmop-presents-turning-point/

Infinity of Lists – Music of Ken Ueno, John McDonald, and TJ Anderson
Thursday, April 3rd, 2025, 8 PM
Distler Performance Hall, Tufts University
https://www.soundiconensemble.org/events